Composer for Contemporary Dance, Digital Artist, Photographer, Film Maker
Dubai is incredibly photogenic and street photography there has a truly unique mix of city architecture and beach landscapes. The hot sun gives some really vivid colours, and high contrast images, which I think the Olympus Em5 Mark ii has done a great job of capturing. Lenses: Olympus 17mm f1.8 Olympus 45mm f1.8 Olympus 75mm f1.8
Just finished my first week working with theatre company, Floods of Ink on a brand new piece called People are People. It explores the many issues surrounding gender identity through some beautiful storytelling devices. The show is devised by Floods of Ink in collaboration with Kate Radford.
In two week Lila Dance's The Deluge will start touring to rural venues across the UK. The immersive dance show has been adapted for the tour, so I took the opportunity to test my new Olympus E-M5 mk ii camera out, and shoot this short trailer video. https://vimeo.com/185670206 All footage was shot on an Olympus Em5…
Anyone familiar with my soundtracks will know that I am a huge fan of using field recordings to add a layer of everyday realism to live performances. This can be anything from a recording of an empty room to enhance claustrophobia (as in The Enormous Room), helicopters flying overhead in (Weightless), traffic lights beeping (A…
Depicted through a David Lynch-esque filmic style, The Enormous Room portrays a relationship between a father and a daughter who are trying to deal with grief. The soundtrack for The Enormous Room is a complex mix of dreamy nostalgic music and household sound FX. When I first met Stopgap’s Artistic Director, Lucy Bennett, to discuss her creative ideas I knew instantly that…
Originally published on IevaKuniskis.com © Judita Kuniskyte As a seasoned composer for contemporary dance, I’ve been asked a few abstract things in my time, but Ieva’s request to me this week at The Point has to go down as one of my absolute favourites! We have a section in They Live Next Door affectionately titled the Man Waltz, because the music…
Dougie Evans 