Turtle Dove

“OK. When did you know it was love?” I had great fun making some music for Amy Morvell's new duet called Turtle Dove. All the sounds take their lead from some beautiful soundbites of people talking about love, that Amy had collected during her research. So rather writing music for contemporary dance on the theme…

Recording ‘Found Sounds’

Anyone familiar with my soundtracks will know that I am a huge fan of using field recordings to add a layer of everyday realism to live performances. This can be anything from a recording of an empty room to enhance claustrophobia (as in The Enormous Room), helicopters flying overhead in (Weightless), traffic lights beeping (A…

Soundtrack Design -The Enormous Room by Stopgap Dance Company

Depicted through a David Lynch-esque filmic style, The Enormous Room portrays a relationship between a father and a daughter who are trying to deal with grief.  The soundtrack for The Enormous Room is a complex mix of dreamy nostalgic music and household sound FX. When I first met Stopgap’s Artistic Director, Lucy Bennett, to discuss her creative ideas I knew instantly that…

5 Essentials to make music for Dance

Writing a soundtrack for contemporary dance can be pretty varied, and as both Co-Artistic Director of Lîla Dance and a freelance composer I've made more soundtracks than most. Over the years I’ve made everything from abstract soundscapes to rock and roll and drum and bass. So one thing I’ve found is that you can quickly…

Wilton’s Strike! Dance Festival 2014

It was my huge pleasure to perform at the magnificent Wilton's Music Hall for the opening night of their brand new Strike! Dance Festival. As the oldest musical hall in the world, it is one of London's most precious and hidden gems, and it resonates history and charm in every room. I also had the rare…

Antechamber- Short Dance Film

Really excited to be finally able to share a short dance film that I've written the music for, called Antechamber. It was produced by Wigglyline Productions and features contemporary dancers Rosa Kentwood, Hayley Barker, and Janina Smith. It is beautiful and grotesque, and the production quality is exceptionally good. The movement was improvised on the day and it think the…